Chicago is the longest-running American musical in Broadway history and the reason is its stripped staging: no scenery, the band on a bandstand upstage, the cast in black, and Fosse-style choreography doing every bit of the work. It also runs a rotating celebrity casting policy, so the show you see is rarely the show your friend saw. If you want to understand what Broadway dance actually is, start here.
What to expect
Two acts played on a bare stage with the orchestra visible upstage throughout and the conductor addressed directly by the cast. The vaudeville framing means numbers are introduced like acts on a bill. Expect precise, angular choreography and a house that applauds the band as much as the principals.
Good to know
- The Ambassador is at 219 West 49th; take the C/E to 50 St or the N/Q/R/W to 49 St
- Casting rotates frequently, so check who is scheduled if a guest star is your reason for going
- The staging is bare by design, so seats further back lose less than at scenery-heavy shows
- Content is adult in tone, with sexual material; it suits teenagers upward
- It is one of the more available hit tickets during busy holiday weeks
- Wheelchair seating and assistive listening devices are available
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Common questions
Is it the same as the film?
The plot matches, but the stage version keeps the vaudeville framing rather than the film's fantasy sequences.
Why is there no set?
The 1996 revival is staged as a concert-style vaudeville by design, with the orchestra on stage as part of the show.
Who is in it?
Casting rotates on a regular basis, including limited-run guest stars, so check the schedule before booking.
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