Wilson himself called this his favorite of the ten plays in his Century Cycle, and its mix of kitchen-table realism and outright mysticism — juba dances, visions, a 'shiny man' — makes it the one that shakes audiences hardest. Broadway revivals of it are rare; each becomes an actors' showcase, because Loomis, Bynum and Bertha are among the deepest roles the American theater has. If you see one straight play this summer, the case for this one is strong.
What to expect
A rich ensemble drama of nearly three hours with intermission, moving between humor, ritual and eruption. The Barrymore is an intimate house for a play this size — most seats feel close. Saturday matinee and evening.
Good to know
- The Barrymore is on 47th between Broadway & 8th
- Limited run — revivals of this play don't linger; don't wait weeks
- Great for serious theatergoers and students of American drama
- Nearly 3 hours; matinee recommended if evenings run long for you
- Rush policies typically apply — check day-of options
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Common questions
Do I need to know the other August Wilson plays?
No — each Century Cycle play stands alone; this one is set in 1911 and is fully self-contained.
What's it about, really?
A man rebuilding his identity after bondage — part realist boarding-house drama, part spiritual awakening.
