Nara's big-headed, wide-eyed figures are among the most recognizable images in contemporary art, and this is the first time in nearly a decade that New York gets them at full strength, across two buildings and four decades of work. The early pieces he chose himself trace the line back to a solitary childhood in rural northern Japan. If you only have one late-October gallery stop in you, make it this one.
What to expect
Two adjacent Chelsea buildings, so budget the walk between 19th and 20th Streets. Inside, new large-scale paintings and drawings hang alongside recent sculpture and a selection of early works chosen by the artist. Expect a line at the door in the opening weeks; this is the rare commercial gallery show that draws a museum-sized crowd.
Good to know
- Nearest trains: C or E to 23rd St, or the 1 to 18th St, then walk west
- It opens very late in the autumn gallery season, so check before a special trip
- Go on a weekday if you can; opening weekends here get genuinely packed
- Both buildings enter from the street; confirm step-free access with the gallery beforehand
- Good for teenagers and anyone who knows Nara from album covers and prints
- Photography of the work is generally allowed; ask the front desk first
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Common questions
Is admission free?
Yes. David Zwirner's New York galleries are free and open to the public, with no ticket required.
Do I need to visit both buildings?
Yes, the exhibition is split between 533 West 19th Street and 537 West 20th Street, roughly a two-minute walk apart.
Has Nara shown with this gallery before?
No. This is his first solo presentation with David Zwirner and his first major New York solo show in nearly ten years.
More this weekend
