Folk Nation: Crafting Patriotism in the United States event image
Lincoln Square, Manhattan

Folk Nation: Crafting Patriotism in the United States

A semiquincentennial show on how vernacular makers built and complicated American identity, from an Edward Hicks Peaceable Kingdom to an Uncle Sam whirligig.

Wikimedia Commons image; CC BY-SA 4.0; attribution: Dietmar Rabich; source page: https://commons.wikimedia.org/wiki/File:New_York_City_(New_York,_USA),_Manhattan_--_2012_--_6703.jpg

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A patriotism show that refuses to be a flag-waving one: the curators put the whirligigs and the eagles next to the objects that complicate them, and let the tension sit. Hicks, Edmondson and Perkins in the same rooms make the argument better than the wall text does. Sunday is the last day before it comes down for a gallery changeover, so if you want it in this configuration, this is the weekend.

What to expect

Vernacular painting, sculpture, textiles and carved objects grouped by theme rather than chronology, at a scale you can absorb in under an hour. Free entry with no ticket desk to clear. The companion exhibition closing the same day is in the adjacent galleries, so one visit covers both, and Lincoln Center is directly across the plaza.

Good to know

  • Admission is always free, with no advance booking required
  • This is the final day of the current run; the museum has said the show returns in the autumn after a changeover
  • The museum is closed at the start of the week, so the window to catch it is short
  • The galleries are compact enough to see both closing shows in a single visit
  • It sits at Lincoln Square, steps from the Lincoln Center subway entrance

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Common questions

Is this really my last chance to see it?

It is the last day of this run. The museum closes it while installing another exhibition and has said Folk Nation returns to view in the autumn, so the reprieve is real but months off.

How much does it cost?

Nothing. Admission to the American Folk Art Museum is free.

What is the semiquincentennial connection?

The show was mounted for the United States' two-hundred-and-fiftieth anniversary, using the museum's collection to examine how vernacular art built a national sense of self.