Weeks before its world premiere at the Met, Lincoln in the Bardo gets sung where it belongs: in a cemetery at nightfall. Death of Classical leads guests along a Green-Wood path lined with dancers, musicians and spoken-word encounters, then Met Opera cast members perform excerpts, followed by Missy Mazzoli and Royce Vavrek in conversation with New Yorker writer Amanda Petrusich. If you love Saunders' novel or Green-Wood's after-dark programs, this is a rare first listen.
What to expect
Check-in is at the Fifth Avenue main entrance, followed by a roughly 20-minute walk over hilly, uneven ground to the performance site, with theatrical encounters along the way. Guests sit on chairs, on the grass or at reserved tables for the performance and conversation, with spirits tastings and light snacks for ticket holders.
Good to know
- Check-in happens only at the main entrance at Fifth Avenue and 25th Street; take the R to 25th St.
- Grass and chair seating is sold out, so check Green-Wood's page for any remaining premium tables.
- Wear sturdy shoes; the walk is hilly and uneven, and a trolley option still involves some walking.
- Spirits tastings are for guests 21 and over with ID.
- In bad weather, tickets carry over to the rain date.
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Common questions
What is Lincoln in the Bardo?
A new opera by Missy Mazzoli with a libretto by Royce Vavrek, based on George Saunders' novel, having its world premiere at the Metropolitan Opera this fall.
What happens if it rains?
Green-Wood says all tickets will be honored on the rain date, Saturday, September 26.
Is it accessible?
The site is a hilly 20-minute walk; Green-Wood offers trolley service and a contact for disability accommodations.
